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since you ask me, I DO doubt your
ability to take anything seriously. You are capable of worrying,
but not deeply. You are too ill-regulated and unsettled a person
for that. But why do you want money? Not a single one of the reasons
which you have given can be looked upon as serious."
"By the way," I interrupted, "you say you want to pay off a
debt. It must be a large one. Is it to the Frenchman?"
"What do you mean by asking all these questions? You are very
clever today. Surely you are not drunk?"
"You know that you and I stand on no ceremony, and that
sometimes I put to you very plain questions. I repeat that I am
your, slave--and slaves cannot be shamed or offended."
"You talk like a child. It is always possible to comport
oneself with dignity. If one has a quarrel it ought to elevate
rather than to degrade one."
"A maxim straight from the copybook! Suppose I CANNOT comport
myself with dignity. By that I mean that, though I am a man of
self-respect, I am unable to carry off a situation properly. Do
you know the reason? It is because we Russians are too richly and
multifariously gifted to be able at once to find the proper mode
of expression. It is all a question of mode. Most of us are so
bounteously endowed with intellect as to require also a spice of
genius to choose the right form of behaviour. And genius is
lacking in us for the reason that so little genius at all
exists. It belongs only to the French--though a few other
Europeans have elaborated their forms so well as to be able to
figure with extreme dignity, and yet be wholly undignified
persons. That is why, with us, the mode is so all-important. The
Frenchman may receive an insult-- a real, a venomous insult: yet,
he will not so much as frown. But a tweaking of the nose he
cannot bear, for the reason that such an act is an infringement
of the accepted, of the time-hallowed order of decorum. That is
why our good ladies are so fond of Frenchmen--the Frenchmans
manners, they say, are perfect! But in my opinion there is no
such thing as a Frenchmans manners. The Frenchman is only a
bird--the coq gaulois. At the same time, as I am not a woman, I
do not properly understand the question. Cocks may be excellent
birds. If I am wrong you must stop me. You ought to stop and
correct me more often when I am speaking to you, for I am too
apt to say everything that is in my head.
"You see, I have lost my manners. I agree that I have none, nor yet
any dignity. I will tell you why. I set no store upon such things.
Everything in me has undergone a cheek. You know the reason. I have not a
single human thought in my head. For a long while I have been
ignorant of what is going on in the world--here or in Russia. I
have been to Dresden, yet am completely in the dark as to what
Dresden is like. You know the cause of my obsession. I have no
hope now, and am a mere cipher in your eyes; wherefore, I tell
you outright that wherever I go I see only you--all the rest is a
matter of indifference.
"Why or how I have come to love you I do not know. It may be that
you are not altogether fair to look upon. Do you know, I am ignorant
even as to what your face is like. In all probability, too, your heart
is not comely, and it is possible that your mind is wholly ignoble."
"And because you do not believe in my nobility of soul you
think to purchase me with money?" she said.
"WHEN have I thought to do so?" was my reply.
"You are losing the thread of the argument. If you do not wish
to purchase me, at all events you wish to purchase my respect."
"Not at all. I have told you that I find it difficult to
explain myself. You are hard upon me. Do not be angry at my
chattering. You know why you ought not to be angry with me--that
I am simply an imbecile. However, I do not mind if you ARE
angry. Sitting in my room, I need but to think of you, to
imagine to myself the rustle The Gambler page 15 The Gambler page 17 | ||||