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doing them after the first two or
three, and had to be punched up for them by Fulkerson, who did not cease
to prize them, and who never failed to punch him up. Beaton being what he
was, Fulkerson was his creditor as well as patron; and Fulkerson being
what he was, had an enthusiastic patience with the elusive, facile,
adaptable, unpractical nature of Beaton. He was very proud of his
art-letters, as he called them; but then Fulkerson was proud of
everything he secured for his syndicate. The fact that he had secured it
gave it value; he felt as if he had written it himself.
One art trod upon anothers heels with Beaton. The day before he had
rushed upon canvas the conception of a picture which he said to himself
was glorious, and to others (at the table dhote of Maroni) was not bad.
He had worked at it in a fury till the light failed him, and he execrated
the dying day. But he lit his lamp and transferred the process of his
thinking from the canvas to the opening of the syndicate letter which he
knew Fulkerson would be coming for in the morning. He remained talking so
long after dinner in the same strain as he had painted and written in
that he could not finish his letter that night. The next morning, while
he was making his tea for breakfast, the postman brought him a letter
from his father enclosing a little check, and begging him with tender,
almost deferential, urgence to come as lightly upon him as possible, for
just now his expenses were very heavy. It brought tears of shame into
Beatons eyes--the fine, smouldering, floating eyes that many ladies
admired, under the thick bang--and he said to himself that if he were
half a man he would go home and go to work cutting gravestones in his
fathers shop. But he would wait, at least, to finish his picture; and as
a sop to his conscience, to stay its immediate ravening, he resolved to
finish that syndicate letter first, and borrow enough money from
Fulkerson to be able to send his fathers check back; or, if not that,
then to return the sum of it partly in Fulkersons check. While he still
teemed with both of these good intentions the old man from whom he was
modelling his head of Judas came, and Beaton saw that he must get through
with him before he finished either the picture or the letter; he would
have to pay him for the time, anyway. He utilized the remorse with which
he was tingling to give his Judas an expression which he found novel in
the treatment of that character--a look of such touching, appealing
self-abhorrence that Beatons artistic joy in it amounted to rapture;
between the breathless moments when he worked in dead silence for an
effect that was trying to escape him, he sang and whistled fragments of
comic opera.
In one of the hushes there came a blow on the outside of the door that
made Beaton jump, and swear with a modified profanity that merged itself
in apostrophic prayer. He knew it must be Fulkerson, and after roaring
"Come in!" he said to the model, "That ll do this morning, Lindau."
Fulkerson squared his feet in front of the bust and compared it by
fleeting glances with the old man as he got stiffly up and suffered
Beaton to help him on with his thin, shabby overcoat.
"Can you come to-morrow, Lindau?"
"No, not to-morrow, Mr. Peaton. I haf to zit for the young ladties."
"Oh!" said Beaton. "Wet-mores class? Is Miss Leighton doing you?"
"I dont know their namess," Lindau began, when Fulkerson said:
"Hope you havent forgotten mine, Mr. Lindau? I met you with Mr. March at
Maronis one night." Fulkerson offered him a universally shakable hand.
"Oh yes! I am gladt to zee you again, Mr. Vulkerson. And Mr. Marge--he
dont zeem to gome any more?"
"Up to his eyes in work. Been moving on from Boston and getting settled,
and starting in on our enterprise. Beaton here hasnt got a very
flattering likeness of you, hey? Well, good-morning," he said, for Lindau
appeared not to have heard him and was escaping with a bow through the
door.
Beaton lit a cigarette which he pinched nervously between his lips before
he spoke. "Youve come for that letter, I suppose, Fulkerson? It isnt
done."
Fulkerson turned from staring at the bust to which he had mounted. "What
you fretting about that letter Hazard Of New Fortunes page 52 Hazard Of New Fortunes page 54 | ||||