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thing in the morning, and then our troubles will
begin."
"Well, didnt you want them to begin? I will stay home and help you get
ready. Our prosperity couldnt begin without the troubles, if you mean
boarders, and boarders mean servants. I shall be very glad to be
afflicted with a cook for a while myself."
"Yes; but we dont know anything about these people, or whether they will
be able to pay us. Did she talk as if they were well off?"
"She talked as if they were poor; poo she called it."
"Yes, how queerly she pronounced," said Mrs. Leighton. "Well, I ought to
have told them that I required the first week in advance."
"Mamma! If thats the way youre going to act!"
"Oh, of course, I couldnt, after he wouldnt let her bargain for the
rooms. I didnt like that."
"I did. And you can see that they were perfect ladies; or at least one of
them." Alma laughed at herself, but her mother did not notice.
"Their being ladies wont help if theyve got no money. It ll make it
all the worse."
"Very well, then; we have no money, either. Were a match for them any
day there. We can show them that two can play at that game."
III.
Arnus Beatons studio looked at first glance like many other painters
studios. A gray wall quadrangularly vaulted to a large north light; casts
of feet, hands, faces hung to nails about; prints, sketches in oil and
water-color stuck here and there lower down; a rickety table, with paint
and palettes and bottles of varnish and siccative tossed comfortlessly on
it; an easel, with a strip of some faded mediaeval silk trailing from it;
a lay figure simpering in incomplete nakedness, with its head on one
side, and a stocking on one leg, and a Japanese dress dropped before it;
dusty rugs and skins kicking over the varnished floor; canvases faced to
the mop-board; an open trunk overflowing with costumes: these features
one might notice anywhere. But, besides, there was a bookcase with an
unusual number of books in it, and there was an open colonial
writing-desk, claw-footed, brass-handled, and scutcheoned, with foreign
periodicals--French and English--littering its leaf, and some pages of
manuscript scattered among them. Above all, there was a sculptors
revolving stand, supporting a bust which Beaton was modelling, with an
eye fixed as simultaneously as possible on the clay and on the head of
the old man who sat on the platform beside it.
Few men have been able to get through the world with several gifts to
advantage in all; and most men seem handicapped for the race if they have
more than one. But they are apparently immensely interested as well as
distracted by them. When Beaton was writing, he would have agreed, up to
a certain point, with any one who said literature was his proper
expression; but, then, when he was painting, up to a certain point, he
would have maintained against the world that he was a colorist, and
supremely a colorist. At the certain point in either art he was apt to
break away in a frenzy of disgust and wreak himself upon some other. In
these moods he sometimes designed elevations of buildings, very striking,
very original, very chic, very everything but habitable. It was in this
way that he had tried his hand on sculpture, which he had at first
approached rather slightingly as a mere decorative accessory of
architecture. But it had grown in his respect till he maintained that the
accessory business ought to be all the other way: that temples should be
raised to enshrine statues, not statues made to ornament temples; that
was putting the cart before the horse with a vengeance. This was when he
had carried a plastic study so far that the sculptors who saw it said
that Beaton might have been an architect, but would certainly never be a
sculptor. At the same time he did some hurried, nervous things that had a
popular charm, and that sold in plaster reproductions, to the profit of
another. Beaton justly despised the popular charm in these, as well as in
the paintings he sold from time to time; he said it was flat burglary to
have taken money for them, and he would have been living almost wholly
upon the bounty of the old tombstone-cutter in Syracuse if it had not
been for the syndicate letters which he supplied to Fulkerson for ten
dollars a week.
They were very well done, but he hated Hazard Of New Fortunes page 51 Hazard Of New Fortunes page 53 | ||||